The Model

Generally, reading palms or handwriting or faces Is a job of translation, since the kind

Gentleman often is

A seducer, the frowning schoolgirl may

Be dying to be asked to stay;

But the body of this old lady exactly indicates her mind;

 

Rorschach or Binct could not add to what a fool can see

From the plain fact that she is alive and well;

For when one is eighty Even a teeny-weeny bit of greed

Makes one very ill indeed,

And a touch of despair is instantaneously fatal:

 

Whether the town once drank bubbly out of her shoes or whether

She was a governess with a good name

In Church circles, if her

Husband spoiled her or if she lost her son,

Is by this time all one.

She survived her true condition; she forgave; she became.

 

So the painter may please himself; give her an English park,

Rice-fields in China, or a slum tenement;

Make the sky light or dark;

Put green plush behind her or a red brick wall.

She will compose them all,

Centring the eye on their essential human element.

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